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Sweden: Icehotel Jukkasjärvi

Author: Anders Porter - 2001

Posted: 25 August 2002

Photos by Arne Bergh

I hear the rap on my cabin door, but because it's one o'clock in the morning and I'm in deep slumber, I roll over and slip easily back into dreamland. For some reason this dream involves a girl from high school named Jennifer. Scantily clad in only a (unexplainably) wet T-shirt, she is climbing on to the back of my motorcycle when -

BAM! BAM! BAM!

There's that rap-rap-rapping on my door again. This time, I sit straight up in bed, wipe my crusty eyes and look over to see the head of Arne Bergh, Art Director and Ice Artist of the world famous Icehotel, peeping through my doorway. This is no dream.

"Hej, Anders... vi har..." Remembering how feeble my Swedish is, he switches to English. "It's minus 5 right now. Let's go make some snow."

I nod or grunt or belch in agreement and he closes the door and leaves me to get myself together. As I begin the ritual of putting on layer after layer of clothing, a disoriented and clouded thought crosses my mind: "What the hell AM I doing here?"

I suppose that's a valid question. It's the middle of the night and I'm heading out into sub-zero temperatures to man snow cannons situated high above the Arctic circle in the small northern Swedish village of Jukkasjärvi. Sound a bit whacky? Perhaps. But to build a magnificent 65 room hotel out of ice and snow, or even to have the idea to do it, you have to be a bit nuts. Maybe that's why I'm here.

When I first read about this place a few years ago, I knew I had to visit. The idea of sleeping in lodgings made entirely of ice and snow was one that I found to be exhilarating. Most people, I have since learned, are not exactly in that same boat. There is a certain breed that actually WANTS to sleep in an igloo. I feel fortunate to have been blessed with those twisted genes.

The more I kicked around the idea of a visit, however, the more I realized that a few days just might not be enough for me. I might need a few months. And I might need to actually help build it. And I might just need to fire up a chainsaw and have a go at some genuine, honest to God ice sculpting. Why the heck not? I had previously abandoned my cubicled career doing business development for an investment firm in San Francisco, and after a three-month stint in SE Asia, I was ready for more. Even if more involved a temperature adjustment that might be a little tricky for this Southern California native, I was willing to go for it. So, after some brief e-mail correspondence with the architects of the hotel, I was invited to Jukkasjärvi, Sweden to try my hand and learn the skills of, well.... igloo building.

The birth of the Icehotel occurred 11 years ago, as a sort of experiment in alternative architecture. A close study of the design of the igloos of northern Scandinavia's Innuit inhabitants (as well as other Arctic Eskimo civilizations) suggested the idea that snow can be used as a very versatile and durable building material. The right water content, the right kind of snow and the proper environment are all that would be needed to attempt such building efforts. Because Jukkasjärvi is frozen for about six months out of every year, this small village in Lappland seemed to be the perfect location. Additionally, the village is situated on the Torne River, which freezes yearly, producing perhaps the best ice in the world. The ice from this river is exceptionally clear and pure, not only due to its lack of pollutants, but also because the water that freezes is running water, producing ice that is free from air bubbles. This high-grade ice is not only used in the construction of the hotel, but is shipped all over Europe for special events and for sculpting purposes. If you're an ice sculptor, you've heard of this ice and know how good it is. If you're not, you'll just have to take my word for it.

I arrived in Jukkasjärvi in October of last year, anticipating a construction start in early November. However, the silent but deadly factor we call global warming pushed the start date back to the third week in November. Every year for the past few years, the temperature has dropped later and later, forcing the Icehotel building crew to put in long days and late nights in order to open by early December. The temperature needs to be a constant -5 degrees Celsius (23 degrees F) in order to be able to operate the snow cannons 24 hours a day. While most of the snow used for construction falls from the sky, cannons are also used, allowing for the consistency of the snow to be monitored and the supply to remain ample.

There are about 20 to 25 people involved in the construction of the Icehotel, most of whom come from the nearby villages or the "big" city of Kiruna and most of whom are paid for their efforts. (There are, of course, fools, I mean apprentices, like me, who are there for the heck of it, receiving room and board for their assistance.) Many of these employees work as artists or on other construction projects when they're not building the hotel. The bulk of the construction takes place between the end of November and the middle of January. It is usually during this time of winter when the conditions are right for construction and the guests are eager to visit, so the construction crew is fully staffed and hard at work.

"So how the heck is it done?" you ask. Let me try to explain. A few years back, it was decided that the best way to build the walls and ceilings of the rooms and corridors is to spray snow onto forms, allow the snow to freeze over a couple days, and then remove the forms. The first attempts were with wood, which worked, but were very difficult to work with and required much labor on the crew's part. So the hotel hired a nearby steel production company to assemble steel and aluminum forms on skis that could be easily removed with tractors after each snow casting. This proved to be quite effective and is the method still used today. After each casting (when the snow is sprayed with a snow blower between outer and inner forms) the crew waits for one or two days (depending on the outside temperature) for the walls to freeze, and then they remove the forms and begin the detailed inside work.

One of the most popular attractions of the Icehotel is the bar (sponsored by Absolut Vodka). Obviously, it is also made of ice. But perhaps the greatest kick of all is the fact that the drinks are served in glasses made of ice. The running joke with the bartenders and the guides is that "here at the Icebar, we don't serve your drinks on the rocks, we serve them in the rocks." If you find yourself thirsty for a brew or maybe a glass of wine, you are unfortunately out of luck. It's hard stuff only here at the Absolut Icebar. Which seems to work out well with most guests, who are usually convinced that they're going to have to drink heavily in order to stay warm and make it through the night. So it's drink after drink after drink... it's a good thing the glasses don't melt...

Europeans and Japanese seem to make up most of the clientele at the hotel. Japanese visitors come by the thousands each year, not only to experience the hotel, but to gaze skyward in hopes of seeing the Northern Lights. The Aurora Borealis phenomenon is considered to be a sign of good luck to the Japanese, so when darkness falls, straining necks are abound, hoping to catch a glimpse of the brilliant colors.

The activities are plentiful and quite memorable. Most people who visit stay one night in the Icehotel and one or two nights in one of the cabins on the property. During the day, dog sled tours are available, as well as snowmobile and cross-country skiing tours. Or ask a guide to drill a hole in the ice for you so you can do some pimpling (ice fishing). If your heart is healthy, you can try a little ice water swimming. You start in the warmth of the sauna, then do a naked scamper to the ice pool (just a hole in the ice, my friends), claw your way out and jump into the hot tub. Your guide Hans Peter will be more than happy to lend a helping hand should you, um, become a popsicle.

Year round business for the Icehotel is another reason for its success. Two years ago, the hotel began work on a 1,500 square meter Art Center, which is refrigerated inside and maintains a constant temperature of -5 degrees Celsius. This has allowed for year round storage of ice cut from the Torne River, as well as a changing display of ice art. This year, for the first time, visitors will be able to sleep inside the Art Center in igloos made of snow and ice. I had the distinct pleasure of working with Åke Larsson to build the world's first ice igloo in the Art Center; or at least the world's first ice igloo inside a refrigerated warehouse. Something like that. Regardless, visitors can choose to sleep in one of the five snow igloos or in the ice igloo, even during the warmth of July. And they can still get a little tipsy at the Icebar before hitting the sack: the Absolut Icebar has been re-built inside the Art Center amongst a beautiful new art installation which features traditional northern Scandinavian and Sami scenes.

While the Icehotel is obviously a one of a kind experience that offers brilliant art and amazing architecture in a beautiful winter wonderland atmosphere, perhaps its most valuable asset are its people. The employees at the Icehotel are exceptional people. Let's face it, Jukkasjärvi is a little bit off the beaten track, so those people who have ended up there REALLY want to be there. This is a fact that is evidenced by the quality of the work and by the atmosphere created by the employees. Whether you're working there or just visiting, there's a common reason behind what the heck you're doing there: there's no place like it on earth.

So I'm finally dressed in all my snow gear and I grab my headlamp and head out into the black cold to man the snow cannons. It's simply a matter of watching them closely to make sure that they don't freeze up, and making sure that if the wind picks up, the snow is not being blown back into the cannon. Most importantly, though, I have to check the consistency of the snow. If it's too wet, it's no good; if it's too dry, it's worse. As I stumble through the darkness towards the hum of the cannons, I grin a little grin. I have just figured out what the hell I'm doing here.

gather no moss... el_loco_grande@yahoo.com


http://www.icehotel.com

 

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